

Every once in a while, when working as an editor in the TCC Pattern and Source Print Database, one is completely surprised. It might be when a marked piece in a pattern surfaces, and it suddenly becomes possible to identify the maker of that pattern. It might be when one finds evidence of copper plates being purchased by one potter at another potter’s bankruptcy sale, explaining why the patterns of the two potters appear to be identical. It might be when one finds evidence of a pattern being re-issued under a different name decades after it was originally introduced. Or, as in the case at point in this article, it might be when one finds some unexpected pattern anomalies.
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.
Branded Patriotic America, debuted in 2014 in collaboration with Historic New England, and the Winterthur Museum
Launched in 2015 in partnership with the Northern Ceramic Society.
Not a member but want to receive email updates?