

A distinct type of English filled-in transfer on pearlware appeared for a brief period in the 1820s, during the reign of George IV, made by some 17 small factories. Predominately jugs and mugs, they stand out with their brightly enamelled colouring on deep blue backgrounds, with transfer patterns that reflect the popular taste for Chinoiserie at the time. Of this filled-in transfer type on pearlware, the most common and widely copied pattern is ‘Boy in the door’, but a dozen or so other patterns have been found in this genre.
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.
Branded Patriotic America, debuted in 2014 in collaboration with Historic New England, and the Winterthur Museum
Launched in 2015 in partnership with the Northern Ceramic Society.
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