

Diverse theories exist as to whether Samuel Hollins produced Swansea Pottery blue and white transfer ware. Indeed some researchers postulate that the Samuel Hollins’ Pottery produced very significant quantities of blue and white transfer ware. On the contrary our position is that Samuel Hollins did not produce any blue and white transfer printed wares. Further, the suggestion that patterns previously attributed to Swansea should now be reassigned to Samuel Hollins we see as incorrect. The objective of this paper is to demonstrate our reasons for holding this position.
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.
Branded Patriotic America, debuted in 2014 in collaboration with Historic New England, and the Winterthur Museum
Launched in 2015 in partnership with the Northern Ceramic Society.
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