

Enoch Wood's No.106 Series of European views was probably produced in the early to mid 1830s. Unlike many series of patterns dating from that time, it was not made in a variety of hues, but always in a very attractive two-color combination, a yellow printed border with contrasting floral sprays and central design in brown or black. Yellow, of course, is the rarest of transferware colors, and it follows that items in this series are also uncommon. At best the average collector might hope to encounter a stray plate here and there, often "Oberwessel on the Rhine". But a few years ago Judie Siddall was lucky enough to get pictures of a number of items from a complete dinner service. When the owner had bought the set she had no idea of its rarity or value, only that she liked it. She generously shared pictures of what she had, and those comprise the majority of the patterns represented in the database.
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.
Branded Patriotic America, debuted in 2014 in collaboration with Historic New England, and the Winterthur Museum
Launched in 2015 in partnership with the Northern Ceramic Society.
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