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Connecting Vicariously Through My Transferware by A. Ian Gillespie
“The Resurrection” Pattern from the Cambrian Pottery in Wales by Jaap Otte
Enoch Wood’s Hair Salon by Dr. Richard Halliday
My Favorite Pattern #2 (Hindu Goddess Kali) by David Hoexter
Crocodile and the Peculiar House with the White Horses by Dr. Jewell Lorenz Dunn
Weston Pottery Mark Clarification and Timeline by Dr. Jewell Lorenz Dunn
The Transferware Engraver: Preserving the skills of copper plate engraving within the ceramic industry, by Dr Richard Halliday A book review by Len Kling
The Architecturally Used Ceramics at the Mausoleum of Sunan Gunung Jati, Indonesia by Jaap Otte
One Thing Can Lead to Another by Sue Wagstaff
Cyprus and Beyond on Transferware by Francis J. Emery by Anna Reeve
New Discoveries: Walsh Tankard with Bamboo Handle by Dr. Jewell Lorenz Dunn
What I Won’t Part With – Pulteney Bridge, Bath by Sue Wagstaff
Interview with TCC Member Barbara McCauley by Dr. Loren Zeller
Paul Scott’s Sampler Jug #10, Shelburne & Sugar by Kory W. Rogers
A Surprise from John Hall & Sons by Michael Sack
The Interminable Search for a Transferware Pattern Source by David Hoexter
George Weston, Potter of Lane End, an Unrecorded Mark by Dr. Jewell Lorenz Dunn
Two Vases and Four Exceptionally Unusual Handles by Dina Zuger
What’s in a Mark? by Dr. Richard Halliday
Ceramic Artifacts from San Diego Presidio’s Chapel Assemblage by Susan D. Walter
2025 TCC Spring Conference Report by Scott Hanson
My Favorite Pattern (Wedgwood Bowl) by David Hoexter
Interview with TCC Member: Maryanne Leckie by Dr. Loren Zeller
A Foley Potteries Pattern for the Persian Market by Jaap Otte
Medieval Chinoiserie? by Dr Richard Halliday
Hylands Essex Drainer Circa 1820’s by Mel Blachford
Tracing Staffordshire Potters by Ian Harvey
A Tiny Shard, a Little Boy, and a Big Mystery by Scott Hanson
The value of ‘Digging Deeper’ by Merilyn Hoysted
“Napirima” Polychrome (Pratt) Pot Lids: The Pattern and the Genre by David Hoexter
Possibly Shorthose? by Dr. Jewell Lorenz Dunn
USE and MAKER UNKNOWN by Frank Davenport
View from Gowanus Heights Brooklyn by Len Kling
Interview with TCC Member: Leslie Lambour Bouterie
Fifty Years Later: Revisiting “James and Ralph Clews,” by Frank Stefano, Jr. by David Hoexter and Dan Sousa
“Backwards” Patterns II by Len Kling
Durham Ox Sources and other Gate-Crashing Bovines by Dr. Richard Halliday
Back Together Again – An Overview of the Philadelphia, PA 2024 Annual Meeting by Juliana Falk
Mugs for More than Cider by Ian Harvey
“The Brick House Family” of Pearlware Pieces by Dr. Jewell Lorenz Dunn
An Exceptionally Unusual Leaf Border by David Hoexter
Ugly or New Discovery? by Richard Crouch
Interview with TCC Member: Heather Cline
Transferware from the Thames by Richard Hemery
Inverted Backstamps Lead to Monumental Discovery by Dr. Jewell Lorenz Dunn
An Unrecorded Series of British Views by Dick Henrywood
Book Review: Historical Guide to Advertising Pot Lids,
Update Including a Guide to Beauty Pots by R.J. Houghton, J. Layden, P. Taylor Reviewed by David Hoexter
An Unexpected Addition to “Places Lived” by Colin and Patricia Knight
Cork, Edge & Malkin’s “Lion” pattern: from Britain via Russia to Iran by Jaap Otte
My “Cousin” Sir Robert Peel by Len Kling
“Backwards” Patterns by Dr. Richard Halliday
Interview with TCC Member: Dr. Richard Halliday
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.

Branded Patriotic America, debuted in 2014 in collaboration with Historic New England, and the Winterthur Museum

Launched in 2015 in partnership with the Northern Ceramic Society.
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